My work is a video portrait of the
celluloid-to-digital transfer machine at the MACE archive, it is a celebration
of machinery and a lament for a now lost age of celluloid. In a former job as a
projectionist I directly witnessed the transition from celluloid to digital
projectors in the cinema in which I worked. I still have a huge nostalgia for
celluloid film, but work with digital technologies to create films. The machine
at MACE perfectly encapsulates this passing point between these two
technological landmarks of cinema and my own conflicting relationship with the
two.
Curated by Wang Yao with exhibiting artists Andrew Bracey, David Fowling, Laura Johnson, Liu Chunmei, James Phaily, Zhang Tao, and Eleni Zevgaridou.
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