Misdirect Movies at Meter Room, Coventry - 9/11/13 – 1/12/13
Artists: Rosa Barba, Andrew Bracey, Dave
Griffiths, Cathy Lomax, Elizabeth McAlpine, David Reed and John Rimmer. Dave
Griffiths, John Rimmer.
Misdirect
Movies is an exhibition that explores new possibilities of collage using
material gleaned from cinema. Meter Room, Coventry is the final leg of the
exhibition tour that has visited The Royal Standard, Liverpool; Standpoint
Gallery, London, and Greyfriars, Lincoln. Dave Griffiths will be showing a new
commission made especially
for
the exhibition at Meter Room. The private view is at 6-8pm on Friday 8th
November, all are welcome to attend this free event.
This exhibition has developed from the
research interests and artworks of the curators, Andrew Bracey and John Rimmer.
The selected artists employ cinematic imagery to re-employ film narrative and explore
new forms of materiality outside of cinema. With access to the internet and the
digitalisation of film, artists are now able to appropriate films to create
different and innovative approaches to collage. The exhibition features a wide
range of media, from projections and monitor-based work through to digital
prints, artist’s books, painting and even a microfiche viewer.
The artists bridge the analogue and the
digital. Rosa Barba exhibits every
issue of Printed Cinema. These
artist’s books have been published alongside her film projects and include film
stills, text and photographs. Andrew
Bracey is interested in the power of the still image in film. Ensemble Cast is a new animation that
features a cast of 1500 film stars reduced to one restlessly moving head. Dave Griffiths’ recent work dwells on
the physical and fictive borders of cinema, often employing the projectionist’s
cue dot to activate the narrative potential of marginal images. Cathy Lomax keeps an on-going visual
diary of all the films that she has watched, selecting one image from each to
make into a small, rapidly executed painting. Elizabeth McAlpine compiles the missed footage from Nicolas Roeg's
cult thriller Don't Look Now that a
viewer did not see, due to them blinking. David
Reed's animation references John Ford's western The Searchers. It also recalls an earlier personal experience where
the artist accidently discovered a cave used in the Ford’s film. John Rimmer’s Interference gathers
together personal and filmic references. Found footage of Philosopher and
theorist’s heads, scenes from Annie Get
Your Gun, commercials and other sourced material combine to form a mental
landscape.
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