tag:blogger.com,1999:blog-35375036162790629202024-03-13T17:55:00.948+00:00Andrew BraceyAndrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.comBlogger107125tag:blogger.com,1999:blog-3537503616279062920.post-66800150572005539702014-09-14T20:35:00.001+01:002014-09-14T20:36:08.974+01:00(detail) at Transition gallery <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjhEhZLgWF2F-iIKGNXjMaYL4waUJTGVYYRRaE8Rx2jdh4RjDmrbZAaze6XLCA0DcPtaQFrjfmHAZnJoMoejjn9nhYK61Z5Kc3IAfo37ILpWKZgM_xjZ99zTdIARrRWhnvfem-q9jR9P5D/s1600/Shen+Wei+detail+at+H+project+Space1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjhEhZLgWF2F-iIKGNXjMaYL4waUJTGVYYRRaE8Rx2jdh4RjDmrbZAaze6XLCA0DcPtaQFrjfmHAZnJoMoejjn9nhYK61Z5Kc3IAfo37ILpWKZgM_xjZ99zTdIARrRWhnvfem-q9jR9P5D/s1600/Shen+Wei+detail+at+H+project+Space1.jpg" height="266" width="400" /></a></div>
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<span class="s1"><a href="http://andrewbracey.us6.list-manage.com/track/click?u=3c93fe5505&id=c4f44e019e&e=83ec55ac01">(detail)</a></span></div>
<div class="p2">
Curated by Andrew Bracey</div>
<div class="p2">
<span class="s2"><a href="http://andrewbracey.us6.list-manage.com/track/click?u=3c93fe5505&id=0b0e6d1cac&e=83ec55ac01">Transition Gallery, London</a></span><br />
Private View Friday 19th September 6-9pm<br />
20th September – 12th October 2014<br />
<a href="http://andrewbracey.us6.list-manage1.com/track/click?u=3c93fe5505&id=01a74b5cae&e=83ec55ac01"><span class="s3">Gallery Open</span></a> Fri - Sun 12-6pm<br />
<a href="http://andrewbracey.us6.list-manage.com/track/click?u=3c93fe5505&id=ea0d68cbec&e=83ec55ac01"><span class="s2">www.paintingdetail.com</span></a><br />
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(detail) features the work of 118 international
artists who have each selected a close-up from one of their paintings.
These details are printed and displayed together to give both a tantalising
glimpse into each artwork, and create a huge collage of images. The exhibition
launched at H-Project Space, Bangkok in June, and now tours to Transition
Gallery and on to The Usher Gallery, Lincoln.<o:p></o:p></div>
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At H-Project Space the exhibition responded to the unique
setting of the gallery, a traditionally constructed Thai house. The 118
artworks fitted into the distinctive wooden framework of the walls, completely
filling and transforming the space. The show will be re-imagined in a new
configuration as it moves Transition, creating a show that is responsive to and
transforms each venue. Seen on mass, the different artworks will became a form
of collage. Connections between the painting details are deliberately made by
the curator in the display, as well as being formed serendipitously. Viewers
are encouraged to make their own associations and interpretations of the
juxtaposition of images.<o:p></o:p></div>
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(detail) features a wide range of painters, from the
well-established to recent graduates. Their work encompasses abstraction,
landscape, figuration and conceptually driven practices and employs a wide
variety of mediums. The reproduced close-up allows us to focus on the
brush strokes, surface and minutiae of the painting. It is most commonly used
in the art world in the pages of the exhibition catalogues or monographs. The
idea of the detail is also something that is particular to the painters’
approach to both making a painting and viewing work in the gallery. <o:p></o:p></div>
<!--EndFragment-->Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-60324434969196386172014-09-14T20:32:00.002+01:002014-09-14T20:33:08.227+01:00 Moonshot Woodstock<div class="separator" style="clear: both; text-align: center;">
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'Moonshot Woodstock' General Practices's inaugural show that opens a new gallery/studios in Lincoln on the 16th Sept 7pm till late. The show will then be travelling to Bloc Projects show space in Sheffield on the 23rd of October. I am showing a new work of an image of a monolith constructed from the original script of 2001: A Space Odyssey. </div>
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<span class="s1">More details at: <a href="http://andrewbracey.us6.list-manage2.com/track/click?u=3c93fe5505&id=97eadcaa2a&e=83ec55ac01"><span class="s2">http://www.general-practice.net/</span></a></span></div>
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Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-29835048182908399562014-06-26T17:22:00.004+01:002014-06-26T17:22:57.084+01:00'Finding the Value' at York St Mary's<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguYEtJlsblSgqsrYbUCzPgEF9dbzGud-FaZ-LJZeAM1YSyWrfc33GEmWcrekrXXq6hbCC1hD0pMcOwnpuZv5pCxuijKGgZIKxLdxgNnxEmeE9ZllLCIO6VS9EPYPFnuefxJXjtON8vLsA_/s1600/Andrew+Bracey,+ReconFigure+Painting+(Madsen+28),+Photographer+Adam+Thompson.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguYEtJlsblSgqsrYbUCzPgEF9dbzGud-FaZ-LJZeAM1YSyWrfc33GEmWcrekrXXq6hbCC1hD0pMcOwnpuZv5pCxuijKGgZIKxLdxgNnxEmeE9ZllLCIO6VS9EPYPFnuefxJXjtON8vLsA_/s1600/Andrew+Bracey,+ReconFigure+Painting+(Madsen+28),+Photographer+Adam+Thompson.JPG" height="213" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: inherit;">I am showing 40 new paintings in the exhibition 'Finding the Value' at York St Mary's. The exhibition runs form 4th July until 2nd November. </span></div>
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<span lang="EN-US" style="font-family: inherit;">I have used a selection of the figurative paintings from the
Madsen siblings collection, to create new ReconFigure paintings. </span><span lang="EN-US" style="font-family: inherit;">I </span><span lang="EN-US"><span style="font-family: inherit;">responded to the
diversity of the collection, by using examples of different styles and types of
the figurative paintings to paint over with my </span>triangular<span style="font-family: inherit;">/crystalline paintwork</span></span><span lang="EN-US" style="font-family: inherit;">. By disp</span><span lang="EN-US" style="font-family: inherit;">laying the paintings on mass I foresee my marks
creating a consistency to the original paintings; as a way of bringing the
diversity together, whilst also celebrating it</span><span lang="EN-US" style="font-family: inherit;">. </span><span lang="EN-US" style="font-family: inherit;">I also see a parallel with the somewhat unknown figures of the Madsen
brother and sister and the painted out figures in my paintings</span><span lang="EN-US" style="font-family: inherit;">. In both cases
they are present, but a</span><span lang="EN-US" style="font-family: inherit;">lmost </span><span lang="EN-US" style="font-family: inherit;">hidden behind a
vei</span><span lang="EN-US" style="font-family: inherit;">l, but are also something that is
absent, no longer with us</span><span lang="EN-US" style="font-family: inherit;">.</span></div>
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<span style="font-family: inherit;"><span lang="EN-US">The paintings are shown on mass at</span><span lang="EN-US" style="color: black;"> St Mary’s</span><span lang="EN-US"> in</span><span lang="EN-US" style="color: black;"> an intimate ‘white
cube’ within a mirrored cube that reflects the unique architecture of St Mary’s
and the viewer</span><span lang="EN-US">. This a</span><span lang="EN-US" style="color: black;">llows a
private space for the work on the inside, which seems to echo the private
nature of Madsen siblings</span><span lang="EN-US">. The outside a</span><span lang="EN-US" style="color: black;">llows the architecture of the space to be brought into play, whilst also
creating a Tardis/portal-like quality</span><span lang="EN-US">.</span><span lang="EN-US" style="color: black;"><o:p></o:p></span></span></div>
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<span style="font-family: inherit;"><span lang="EN-US">For more detai</span>ls please visit <a href="http://www.yorkstmarys.org.uk/exhibition/finding-the-value/" target="_blank">here</a>.</span></div>
<br />Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-90963453216372311582014-06-26T17:13:00.003+01:002014-06-26T17:16:38.836+01:00Accidents Need Not Happen at Project Space Plus<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWYTa1FzbKQ4iUbx2vYtUSsAgThugzS9uT-udYCp2p0s96fnpA10j5XEQYP4RpnBaZUQzzTx1d_4w5wHoVTouJJuM9nyYLf6lhj0ZdP0DCu8eBfgS1xgLhD-iTa-tMCwy6WCrTUty4L3pv/s1600/Andrew+Bracey,+One+To+Another,+2014,+Digital+film,+Size+Variable.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWYTa1FzbKQ4iUbx2vYtUSsAgThugzS9uT-udYCp2p0s96fnpA10j5XEQYP4RpnBaZUQzzTx1d_4w5wHoVTouJJuM9nyYLf6lhj0ZdP0DCu8eBfgS1xgLhD-iTa-tMCwy6WCrTUty4L3pv/s1600/Andrew+Bracey,+One+To+Another,+2014,+Digital+film,+Size+Variable.JPG" height="240" width="320" /></a></div>
I am pleased to be showing a new work in Accidents Need Not Happen at Project Space Plus in lincoln. The exhibition runs from 25th June till 11th July.<br />
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<div class="MsoNormal">
<span lang="EN-US">My work is a video portrait of the
celluloid-to-digital transfer machine at the MACE archive, it is a celebration
of machinery and a lament for a now lost age of celluloid. In a former job as a
projectionist I directly witnessed the transition from celluloid to digital
projectors in the cinema in which I worked. I still have a huge nostalgia for
celluloid film, but work with digital technologies to create films. The machine
at MACE perfectly encapsulates this passing point between these two
technological landmarks of cinema and my own conflicting relationship with the
two. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US"><em style="background: rgb(255, 255, 255); border: 0px; color: #333333; font-family: Georgia, 'Bitstream Charter', serif; font-size: 16px; line-height: 24px; margin: 0px; padding: 0px; vertical-align: baseline;">Curated by Wang Yao with exhibiting artists Andrew Bracey, David Fowling, Laura Johnson, Liu Chunmei, James Phaily, Zhang Tao, and Eleni Zevgaridou.</em></span></div>
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Please follow link for more info <a href="http://projectspacelsad.blogs.lincoln.ac.uk/2014/06/12/accidents-need-not-happen-at-project-space-plus/" target="_blank">here</a>.</div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-46920967132083839392014-05-27T22:08:00.001+01:002014-05-27T22:08:12.000+01:00(detail) at H Project Space, bangkok<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZG2lbSCNJtj06FFBgyNRBkbTsZ5KoEMs1FvdUJ4ZGcesFc-VanEopIm9_53foOSQ2-dzOHS_Vh5trinsT5FpUNbFAo5sFeqfkZFCMsVahEp92yiZMSiaVSHHRQ0oMVhVThhbTmINRVW9D/s1600/(detail)+PR+Image.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZG2lbSCNJtj06FFBgyNRBkbTsZ5KoEMs1FvdUJ4ZGcesFc-VanEopIm9_53foOSQ2-dzOHS_Vh5trinsT5FpUNbFAo5sFeqfkZFCMsVahEp92yiZMSiaVSHHRQ0oMVhVThhbTmINRVW9D/s1600/(detail)+PR+Image.jpg" height="265" width="400" /></a></div>
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<b><br /></b></div>
<div class="separator" style="clear: both; text-align: left;">
<b>I have curated a new show of 118 painters that opens at H Project Space in Bangkok on 5th June and continues until 6th July. </b></div>
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<b><br /></b></div>
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<b>The press release from the show is below:</b></div>
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<b><br /></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Arial;">(<i style="mso-bidi-font-style: normal;">detail</i>)
is an innovative new exhibition that features the work of 118 international artists,
who have each selected a close-up from one of their paintings. These details
will be printed and displayed together to give both a tantalising glimpse into the
artworks, and create a huge collage of images. The exhibition will launch at
H-Project Space in Bangkok this summer, before touring to Transition Gallery and
The Usher Gallery in the UK later this year.<o:p></o:p></span></b></div>
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<br /></div>
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<span style="font-family: Arial;">At
H-Project Space the exhibition will respond to the unique setting of the
gallery, a traditionally constructed Thai house. The 118 artworks will fit into
the distinctive wooden framework of the walls, completely filling and
transforming the space. Seen on mass, the different artworks will become a form
of collage. Connections between the painting details are deliberately made by
the curator in the display, as well as being formed serendipitously. Viewers
are encouraged to make their own associations and interpretations of the
juxtaposition of images.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="tab-stops: 162.0pt;">
<span style="font-family: Arial;">The
show will be re-presented and re-imagined as it moves from H-Project Space, Bangkok
to the more conventional exhibition spaces of Transition Gallery, London and
The Usher Gallery, Lincoln, creating a show that is responsive to each venue.</span><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin;">(detail)</span></i><span style="mso-bidi-font-family: Cambria; mso-bidi-theme-font: minor-latin;"> features a wide range of painters,
from the well-established to recent graduates. Their work encompasses abstraction,
landscape, figuration and conceptually driven practices and employs a wide
variety of mediums. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial;">The reproduced close-up
allows us to focus on the brush strokes, surface and minutiae of the painting.
It is most commonly used in the art world in the pages of the exhibition
catalogues or monographs. The idea of the detail is also something that is
particular to the painters’ approach to both making a painting and viewing work
in the gallery.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Arial;">The exhibition’s curator
Andrew Bracey explains:<o:p></o:p></span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: Arial; mso-themecolor: text1;">“In the studio I
have found my own relationship to working on a painting is up close to it, with
only occasional glimpses of the whole as I step back. This focus on this particular
painter’s viewpoint of the painting provoked the idea for this exhibition. This
exhibition is an attempt to bring this studio mentality to the gallery. There
is a power in the detail, it offers up fresh possibilities for viewing
painting.”<o:p></o:p></span></i></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Full list of artists in show:<o:p></o:p></span></b></div>
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<br /></div>
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<span style="font-family: Arial; font-size: 10.0pt;">Alec
Shepley, Alexis Harding, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Courier New"; mso-fareast-font-family: "Times New Roman";">Alison
Erika Forde,</span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> </span><span style="font-family: Arial; font-size: 10.0pt;">Alastair Payne, Alli Sharma, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Alun Williams, </span><span style="font-family: Arial; font-size: 10.0pt;">Andrea Giuseppe Corciulo, Andrew Bick, Andrew Bracey,
Andrew Graves, Andrew Seto, Andrew Stahl, Andy Harper, Annabel Dover, Annabel
Tilley, Annabelle Sheldon, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">Anthony Frost, </span><span style="font-family: Arial; font-size: 10.0pt;">Bartosz Beda, Ben Cove, Benet
Spencer, Cathy Lomax, </span><span style="background: white; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">Christopher Bagna</span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">l,</span><span style="font-family: Arial; font-size: 10.0pt;"> Clem Crosby, Clyde Hopkins, Corinna Spencer, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: Georgia; mso-bidi-font-weight: bold;">Craig Barber, </span><span style="font-family: Arial; font-size: 10.0pt;">Damien Meade, Dan Hays, Dan Perfect, Daniel Sturgis, David
Dipre, David Manley, David Reed, David Ryan, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: Helvetica; mso-bidi-font-style: italic;">Dominic Shepherd</span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">, </span><span style="font-family: Arial; font-size: 10.0pt;">Eleanor Moreton, Emma Talbot, Enzo
Marra, Eric Butcher, Estelle Thompson, Euripides Altintzoglou, Eve Ackroyd, Evi
Grigoropoulou, Fabian Marcaccio, Fiona Curran, Fiona Macdonald. </span><span style="background: white; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">Fiona Rae,</span><span style="font-family: Arial; font-size: 10.0pt;"> G L Brierley, Geraint Evans, Gordon Cheung, Gordon Dalton, Graham
Crowley, Hamish McLain, Hannah Knox, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Hanneline Visnes,</span><span style="font-family: Arial; font-size: 10.0pt;"> Henny Acloque, Henrietta Simson, Iain Andrews, Isabel Young, Jamie
Shovlin, Jay Oliver, Jennifer Maidment, John Rimmer, </span><span style="background: white; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">Julia Schwadron, </span><span style="font-family: Arial; font-size: 10.0pt;">Julie Heffernan, Julie Langsam, </span><span style="background: white; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">Karin Davie,</span><span style="font-family: Arial; font-size: 10.0pt;"> Katie Pratt, Katrina Blannin, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Laura Lancaster,</span><span style="font-family: Arial; font-size: 10.0pt;"> Lesley Halliwell, Lindsay Bull, Louisa Chambers, Louise Bristow, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">Luke
Frost,</span><span style="font-family: Arial; font-size: 10.0pt;"> Maggie Ayliffe,
Magnus Quaife, Mark Fairnington, Mark Kennard, Mark Wright, Medina Hammad, </span><span style="background: white; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">Michael Fullerton,</span><span style="font-family: Arial; font-size: 10.0pt;"> Michael Roberts, Mick Finch, Miho Sato, Mik Godley, Mimei
Thompson, Narbi Price, Natasha Kidd, Neal Rock, Olivia Notaro, Paul Edwards,
Paul Winstanley, Pavel Büchler, Phoebe Mitchell, Rachel Lumsden, </span><span style="background: white; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">Rafal Topolewski, </span><span style="font-family: Arial; font-size: 10.0pt;">Rick Copsey, Robert Holyhead, Rosalind Davis, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Helvetica Neue";">Ruth
Solomons,</span><span style="font-family: Arial; font-size: 10.0pt;"> Sarah R Key,
Sarah Pickstone, Sharon Hall, Shirley Kaneda, Sigrid Holmwood, Simón Granell, </span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: Tahoma;">Soichiro
Shimizu,</span><span style="font-family: Arial; font-size: 10.0pt;"> Stefan Sehler,
Steve Dutton, Steve Ingman, Terry Shave, Thomas M Wright, Tom Cretney, Tom
Hackney, Tony Smith, Tristram J Aver, Yelena Popova</span><span style="font-family: Arial; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 10.0pt;"><br /></span></div>
<div class="MsoNormal">
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<a href="http://www.paintingdetail.com/">http://www.paintingdetail.com/</a> (coming soon)</div>
<br />Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-87319658964224504382014-03-02T12:36:00.002+00:002014-03-02T12:36:40.175+00:00POSSESSION (II) at Lanchester Gallery in Coventry<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY9Sv5AlTKPt6PmFZes4M-3votK0yFwkskkRgUQOQ91ABZ5bzZLG8OrqNcCsu0v84Ibxvz-DvdWHdr9yTPecM6EXtPtClR0g38kiVmW7OD_gfftrveVX-jpSU9ePmGwE2rzg8jXYPUWLir/s1600/Andrew+Bracey,+Reconfigure+Painting+(Henry+O'Neil).jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY9Sv5AlTKPt6PmFZes4M-3votK0yFwkskkRgUQOQ91ABZ5bzZLG8OrqNcCsu0v84Ibxvz-DvdWHdr9yTPecM6EXtPtClR0g38kiVmW7OD_gfftrveVX-jpSU9ePmGwE2rzg8jXYPUWLir/s1600/Andrew+Bracey,+Reconfigure+Painting+(Henry+O'Neil).jpeg" height="400" width="313" /></a></div>
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<span style="font-family: inherit;">I am showing in the next incarnation of the Possession exhibition at Lanchester Gallery in Coventry, curated by Steve Dutton and Brian Curtin. The exhibition explores practices of appropriation in contemporary art. POSSESSION (I) was shown at the Bangkok Art and Culture Center, Thailand in early 2013. I am showing completely new painting in my Reconfigure Paintings series of work.</span></div>
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<span style="font-family: inherit;">The show opens on Thursday 13 March 6 – 8pm for the private view and then runs from 14 March - 13 April 2014. More details can be found below and <a href="http://www.coventry.ac.uk/life-on-campus/faculties-and-schools/coventry-school-of-art-and-design/lanchester-gallery/possession-ii/" target="_blank">here</a></span></div>
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<span style="font-family: inherit;">POSSESSION (II) acknowledges the distinct lineage of heavily theorised notions of appropriation from Anglophone art critical contexts. The project moves through an expanded set of concerns including internet and network cultures, conflicts of current and outmoded technologies of image production and contemporary visual art from disparate cultural and national contexts. Central to the two iterations of the exhibition is the idea that different versions of the exhibition format can possess and re-possess the objects of its own inquiry: the ideological and aesthetic instrumentality of forms, critically intrinsic and extrinsic relationships for contemporary art, and comparative questions of an artist’s agency in making and re-making visual and material culture.</span></div>
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<span style="font-family: inherit;">POSSESSION (II) highlights the question of whether cultural and national comparisons provide a basis for considering what appropriation is and can do; and what exchange might mean in an international context of different and competing markets.</span></div>
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<span style="font-family: inherit;">Other artists include;</span></div>
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<span style="font-family: inherit;">Chan Dany, Michael Day, Doug Fishbone, Lesley Guy, Steve Hawley, Maud Haya-Baviera, Viet Le, Michael Lee, Olivia Notaro, Manuel Ocampo, Julia Schwadron, Chris Shaw-Hughes, Andrew Spackman.</span></div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-53517840476852761842014-03-02T12:26:00.002+00:002014-03-02T12:26:45.341+00:00A Machine Aesthetic in Lincoln<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEink7nZWV3ZnUvekZzoYWR-bhh_T8KfbVJuLbOqInHkWB0DCXk-zdNTc3SRVZJ0a-NGC3C6ZNzwzD_qUUxmr_Vs5tmiAIw1HeizzF-gULCQcmLYphdpWhQuuqNDBMqvmwnWdzSlJll0z0dv/s1600/AUB+13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEink7nZWV3ZnUvekZzoYWR-bhh_T8KfbVJuLbOqInHkWB0DCXk-zdNTc3SRVZJ0a-NGC3C6ZNzwzD_qUUxmr_Vs5tmiAIw1HeizzF-gULCQcmLYphdpWhQuuqNDBMqvmwnWdzSlJll0z0dv/s1600/AUB+13.jpg" height="258" width="400" /></a></div>
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<span style="font-family: inherit;">A Machine Aesthetic continues on its tour around the country at ProjectSpacePlus in Lincoln from 5th March till 4th April. The group show is curated by <span style="background-color: white; line-height: 20.799999237060547px;">E</span><span style="background-color: white; border: 0px; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;">ric Butcher and Simón Granell.</span></span><br />
<span style="font-family: inherit;">Details about the show are below and please visit the galleries website <a href="http://projectspacelsad.blogs.lincoln.ac.uk/2014/01/28/a-machine-aesthetic/" target="_blank">here</a></span><br />
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<span style="font-family: inherit;"><i style="background-color: #fcfcfc; line-height: 20.799999237060547px;">A Machine Aesthetic </i><span style="background-color: #fcfcfc; line-height: 20.799999237060547px;">explores the various manifestations, uses and influences of mechanisation within the practice of a diverse range of contemporary artists.</span><span style="background-color: #fcfcfc; line-height: 20.799999237060547px;">om the first daubings of pre-historic caves, through the invention of the camera obscura and ready-made oil paint in tubes to the use of digital media, artists have been among the first to embrace and exploit new technologies. The focus of</span><span style="background-color: #fcfcfc; line-height: 20.799999237060547px;"> </span><i style="line-height: 20.799999237060547px;">A Machine Aesthetic</i><span style="background-color: #fcfcfc; line-height: 20.799999237060547px;">, however, is at once narrower and broader, concerning itself specifically with the notion and implications of ?mechanisation? in its widest sense in contemporary art.</span></span><br />
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<span style="font-family: inherit;">Since the late 1950s/early 60s there have evolved a plethora of artistic practices that involve the manufacture of machines to produce the artistic ‘product’. Where Jean Tinguely led the way, artists as diverse as Rebecca Horn, Chris Burden, Roxy Paine and Damien Hirst followed. While earlier analyses have tended to conceive of the machine in a narrow sense, <i>A Machine Aesthetic</i>proposes a different perspective, achieved by consideration of the full range of artistic practices that embrace both subtle and sophisticated notions of mechanisation.</span></div>
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<span style="font-family: inherit;">As the human condition moves further and further from a state of nature we become not only surrounded by machine-made objects, but the products and qualities of mechanised intervention. Even our experience of nature is modified and mediated by human agency and facilitated by the machine. Contemporary practices reflect this increasing dependence on machine production, whether celebratory or critical, artists exploiting machine produced products or components in both the development and construction of their work.</span></div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-87624111056282175272014-02-19T23:06:00.001+00:002014-02-19T23:06:28.546+00:00A Machine Aesthetic - Bournemouth<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Znn3U6yHiYk5ahLbBmbyn9MA24_B8oxlSUi5r3InWK5Qx97BWpxJx0BH3fRy9ByFc-__qjsY4ygM8bnLfJ640beeRBnlKIY7eb4z3nQbB0K_tJ4elXzidZy-bGtUetHPEPqOppwVskk0/s1600/The+Jump+AUB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Znn3U6yHiYk5ahLbBmbyn9MA24_B8oxlSUi5r3InWK5Qx97BWpxJx0BH3fRy9ByFc-__qjsY4ygM8bnLfJ640beeRBnlKIY7eb4z3nQbB0K_tJ4elXzidZy-bGtUetHPEPqOppwVskk0/s1600/The+Jump+AUB.jpg" height="213" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">My work <i>The Jump</i> is currently showing in <i>A Machine Aesthetic</i> at The Gallery, AUB in Bournemouth, This is a group show curated by E<span style="background-color: white; border: 0px; color: #333333; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;">ric Butcher and Simón Granell featuring lots of really excellent artists, more details are found here:</span><span style="background-color: white; border: 0px; color: #333333; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;"> </span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">http://aub.ac.uk/event/machine-aesthetic/</span>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-22584411941692523172013-11-30T21:03:00.002+00:002013-11-30T21:03:31.180+00:00Machine Aesthetic<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsfdghG54SDlnL8_c-63EAGe0aZNxJ8fMIp0yBn9bII5vD8ZBZPsVUoXGltHd_jhorNjYBZeWQtqrqWIEn7wyVtgQz5rV_YJgCLPeygDu8ix4KVZ4SOljJiMKBHRian1qUqwVHYvPXJxc4/s1600/Gallery+North+e-invite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsfdghG54SDlnL8_c-63EAGe0aZNxJ8fMIp0yBn9bII5vD8ZBZPsVUoXGltHd_jhorNjYBZeWQtqrqWIEn7wyVtgQz5rV_YJgCLPeygDu8ix4KVZ4SOljJiMKBHRian1qUqwVHYvPXJxc4/s1600/Gallery+North+e-invite.jpg" height="320" width="304" /></a></div>
<span style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;">I am showing in a really interesting touring exhibition, </span><em style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;">Machine Aesthetic</em><span style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;">, curated by artists, </span><span style="background-color: white; color: #444444; font-family: arial, sans-serif; font-size: x-small; line-height: 16px;">Simón Grannell and Eric Butcher. The exhibitions responds to c</span><span style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;">ontemporary fine art practices that "engages with the notion of mechanisation in a sophisticated range of ways; from artists who exploit the materials, processes and techniques of machine production, incorporating machined materials into their work, to those who do not engage physically with machines at all, but adopt a mechanised methodology in the process of manufacture, disciplining their minds and bodies to behave like machines." </span><br />
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<span style="background-color: white; color: #444444; font-family: arial, sans-serif; font-size: x-small; line-height: 16px;">The exhibition opens at Gallery North in Newcastle with a private view on Monday 9th December and carrying on until 30th January before moving on to Arts university Bournemouth, University of Lincoln, Norwich University of the Arts and Transition Gallery, London through 2014. I will be showing </span><a href="https://email.lincoln.ac.uk/owa/redir.aspx?C=KUOHILmd50C6QF02opU2hqq4U02jwdAId6-IAfxPqouF5P90EdNsyL_oE2ZEMvkIyoFpuq-_zf4.&URL=http%3a%2f%2fandrewbracey.us6.list-manage.com%2ftrack%2fclick%3fu%3d3c93fe5505%26id%3d6e73cf7056%26e%3d83ec55ac01" style="background-color: white; color: #6dc6dd; font-family: arial, sans-serif; font-size: small; line-height: 16px; word-wrap: break-word;" target="_blank"><em>The Jump</em></a><span style="background-color: white; color: #444444; font-family: arial, sans-serif; font-size: x-small; line-height: 16px;">, a painted version of Chris Marker's classic short film, </span><em style="background-color: white; color: #444444; font-family: arial, sans-serif; font-size: small; line-height: 16px;">La Jetee</em><span style="background-color: white; color: #444444; font-family: arial, sans-serif; font-size: x-small; line-height: 16px;">. Other artists in the show include Emma Hart, Dan Hays, Michael Roberts, Natasha Kidd andTim Knowles. More details can be found </span><a href="https://email.lincoln.ac.uk/owa/redir.aspx?C=KUOHILmd50C6QF02opU2hqq4U02jwdAId6-IAfxPqouF5P90EdNsyL_oE2ZEMvkIyoFpuq-_zf4.&URL=http%3a%2f%2fandrewbracey.us6.list-manage.com%2ftrack%2fclick%3fu%3d3c93fe5505%26id%3d05ca71bfcf%26e%3d83ec55ac01" style="background-color: white; color: #6dc6dd; font-family: arial, sans-serif; font-size: small; line-height: 16px; word-wrap: break-word;" target="_blank">here</a>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-62263142748541271272013-11-30T21:01:00.003+00:002013-11-30T21:04:02.308+00:00Atomic - <div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXF3y0wwZgxfzA4hUzQegJE7mdRlp0ofY4o4hDYqM_bLbWEwlpRcreZUfOWSxW1wVAXgmN9u0F7j4PX_4WQZzWBzSURqjz5JS8txMzSfxdNF2bMCj3lmfutXBoY0DOYbAqD_XUmAft7P1M/s1600/Atomic.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXF3y0wwZgxfzA4hUzQegJE7mdRlp0ofY4o4hDYqM_bLbWEwlpRcreZUfOWSxW1wVAXgmN9u0F7j4PX_4WQZzWBzSURqjz5JS8txMzSfxdNF2bMCj3lmfutXBoY0DOYbAqD_XUmAft7P1M/s1600/Atomic.jpeg" height="312" width="320" /></a><br />
<a href="https://email.lincoln.ac.uk/owa/redir.aspx?C=KUOHILmd50C6QF02opU2hqq4U02jwdAId6-IAfxPqouF5P90EdNsyL_oE2ZEMvkIyoFpuq-_zf4.&URL=http%3a%2f%2fandrewbracey.us6.list-manage.com%2ftrack%2fclick%3fu%3d3c93fe5505%26id%3d72b40dc330%26e%3d83ec55ac01" style="background-color: white; color: #6dc6dd; font-family: Helvetica; font-size: 15px; line-height: 22px; word-wrap: break-word;" target="_blank">Atomic</a><span style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;"> is an opportunity to purchase some fantastic art from some great artists in an "exhibition of small works with big ideas". It is organised by Alli Sharma from Transition Gallery at the intimate and homely 60 Ravenscourt Road in Hammersmith in London. The show is on 8-15 December 2013, Opening Hours: 12-6pm, or by appointment with a Private View: 7 December, 6-9pm / RSVP required, follow the link </span><a href="https://email.lincoln.ac.uk/owa/redir.aspx?C=KUOHILmd50C6QF02opU2hqq4U02jwdAId6-IAfxPqouF5P90EdNsyL_oE2ZEMvkIyoFpuq-_zf4.&URL=http%3a%2f%2fandrewbracey.us6.list-manage.com%2ftrack%2fclick%3fu%3d3c93fe5505%26id%3d86c5b48460%26e%3d83ec55ac01" style="background-color: white; color: #6dc6dd; font-family: Helvetica; font-size: 15px; line-height: 22px; word-wrap: break-word;" target="_blank">here</a><span style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;"> to find out more of how to rsvp and more about the artists.</span><br style="background-color: white; color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;" /><h1 style="background-color: white; color: #020203; direction: ltr; font-family: 'Courier New', Courier, 'Lucida Sans Typewriter', 'Lucida Typewriter', monospace; font-size: 26px; font-weight: normal; line-height: 1.3em; margin: 0px 0px 5px; padding: 0px;">
<span style="color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;">I will be showing some of my </span><a href="https://email.lincoln.ac.uk/owa/redir.aspx?C=KUOHILmd50C6QF02opU2hqq4U02jwdAId6-IAfxPqouF5P90EdNsyL_oE2ZEMvkIyoFpuq-_zf4.&URL=http%3a%2f%2fandrewbracey.us6.list-manage.com%2ftrack%2fclick%3fu%3d3c93fe5505%26id%3d9f4f9033d5%26e%3d83ec55ac01" style="color: #6dc6dd; font-family: Helvetica; font-size: 15px; line-height: 22px; word-wrap: break-word;" target="_blank">Transitory Paintings</a><span style="color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;"> and other artists include David Dipre, Annabel Dover, Alex Pearl, Mali Morris, Mimei Thompson</span><a href="https://email.lincoln.ac.uk/owa/redir.aspx?C=KUOHILmd50C6QF02opU2hqq4U02jwdAId6-IAfxPqouF5P90EdNsyL_oE2ZEMvkIyoFpuq-_zf4.&URL=http%3a%2f%2fandrewbracey.us6.list-manage1.com%2ftrack%2fclick%3fu%3d3c93fe5505%26id%3d16453b8a2b%26e%3d83ec55ac01" style="color: #6dc6dd; font-family: Helvetica; font-size: 15px; line-height: 22px; word-wrap: break-word;" target="_blank">here</a><span style="color: #606060; font-family: Helvetica; font-size: 15px; line-height: 22px;"> to find out more of how to rsvp and more about the artists.</span></h1>
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Atomic</h1>
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In a fusion between East and West London, <a href="http://www.transitiongallery.co.uk/" style="color: #0c4c5d; cursor: pointer; font-weight: inherit; line-height: 18px; text-decoration: none;" target="_blank">Transition Gallery</a> travels from Hackney to Hammersmith to present an exhibition of small works with big ideas by more than 40 selected artists at:</div>
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<strong style="line-height: 18px; vertical-align: baseline;">60 Ravenscourt Road, London W6 0UG</strong></div>
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8-15 December 2013<br />
Opening Hours: 12-6pm, or by appointment</div>
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<strong style="line-height: 18px; vertical-align: baseline;">Private View: 7 December, 6-9pm</strong><br />
RSVP <a href="mailto:alli@transitiongallery.co.uk" style="color: #0068cf; cursor: pointer; font-weight: inherit; line-height: 18px;">alli@transitiongallery.co.uk</a></div>
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Artists include: Michael Ajerman, Carolina Ambida, Michael Bartlett, Lucy Boyle, Andrew Bracey, Benjamin Bridges, Kirsty Buchanan, Lindsey Bull, Nick Carrick, Jake Clark, Gary Colclough, Charlie Day, David Dipre, Sarah Douglas, Annabel Dover, Sarah Doyle, Luci Eyres, Genieve Figgis, Andrew Graves, Damian Griffiths, Julia Hamilton, Michael Hammond, Kirsty Harris, Stephen Harwood, Georgia Hayes, Paul Housley, Paul Kindersley, Cathy Lomax, Alex Massouras, Alex Michon, Mali Morris, Nina Ogden, Alex Pearl, Alli Sharma, Corinna Spencer, Emma Talbot, Kathleen Thompson, Mimei Thompson, Katherine Tulloh, Jacqueline Utley, Virginia Verran, Ben Walker, David Webb, Mary West, Andy Wicks and Jo Wilmot.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT7WMq8mssF7KgrXKhhyphenhyphenmkEOhljr_3stIcf4WoboA0RgQct5ZIFWwnXACy3IpuOkOOowAm1Kmh5fj86deErhVUKI4Yk8WC-6Va3KDVCFqWUWA7UGMyG-R8cJa0LfV662m935gzphVeZuFo/s1600/Transitory+Painting+(Portrait+of+John+Jones+of+Frankley,+Bust+Length,+in+Naval+Uniform).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT7WMq8mssF7KgrXKhhyphenhyphenmkEOhljr_3stIcf4WoboA0RgQct5ZIFWwnXACy3IpuOkOOowAm1Kmh5fj86deErhVUKI4Yk8WC-6Va3KDVCFqWUWA7UGMyG-R8cJa0LfV662m935gzphVeZuFo/s1600/Transitory+Painting+(Portrait+of+John+Jones+of+Frankley,+Bust+Length,+in+Naval+Uniform).jpg" height="320" width="241" /></a></div>
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I will be showing some of my Transitory Paintings including the one above.</div>
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<br /></div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-64626050802745542802013-11-30T20:58:00.000+00:002013-11-30T20:58:47.072+00:00Misdirect Movies - Meter Room<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxK18G-mh9ZPiDdvf_de64Ru5dTQFCzjYniDGp4vS-PRcOybFWHq-mWMN2uRh277PycKaUl2j5XOyWWWSmeZrZ6ar87yzSug8YVGaqNhpIGPgBjHf-4mCS3fOTUVwQqOEs3a909e6subC5/s1600/METER+ROOM+MISDIRECT+MOVIES+INVITE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxK18G-mh9ZPiDdvf_de64Ru5dTQFCzjYniDGp4vS-PRcOybFWHq-mWMN2uRh277PycKaUl2j5XOyWWWSmeZrZ6ar87yzSug8YVGaqNhpIGPgBjHf-4mCS3fOTUVwQqOEs3a909e6subC5/s1600/METER+ROOM+MISDIRECT+MOVIES+INVITE.jpg" height="320" width="260" /></a></div>
<div class="MsoNormal" style="margin-bottom: 10.0pt; margin-left: -14.2pt; margin-right: -72.0pt; margin-top: 0cm;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Arial; font-size: 18.0pt; line-height: 115%;">Misdirect Movies</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Arial; font-size: 18.0pt; line-height: 115%;"> </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Arial; font-size: 16.0pt; line-height: 115%;">at Meter Room, Coventry - 9/11/13 – 1/12/13</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Arial; font-size: 18.0pt; line-height: 115%;"><o:p></o:p></span></b></div>
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<span style="font-family: Arial; font-size: 12.0pt; line-height: 115%;">Artists: Rosa Barba, Andrew Bracey, Dave
Griffiths, Cathy Lomax, Elizabeth McAlpine, David Reed and John Rimmer. Dave
Griffiths, John Rimmer. <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 10.0pt; margin-left: -14.2pt; margin-right: -29.5pt; margin-top: 0cm; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Arial; font-size: 12.0pt; line-height: 115%;">Misdirect
Movies</span></i><span style="font-family: Arial; font-size: 12.0pt; line-height: 115%;"> is an exhibition that explores new possibilities of collage using
material gleaned from cinema. Meter Room, Coventry is the final leg of the
exhibition tour that has visited The Royal Standard, Liverpool; Standpoint
Gallery, London, and Greyfriars, Lincoln. Dave Griffiths will be showing a new
commission made especia<span style="color: black;">lly</span></span><span style="color: black; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;">
</span><span style="font-family: Arial; font-size: 12.0pt; line-height: 115%;">for
the exhibition at Meter Room. The private view is at 6-8pm on Friday 8<sup>th</sup>
November, all are welcome to attend this free event.<o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 12.0pt; line-height: 115%;">This exhibition has developed from the
research interests and artworks of the curators, Andrew Bracey and John Rimmer.
The selected artists employ cinematic imagery to re-employ film narrative and explore
new forms of materiality outside of cinema. With access to the internet and the
digitalisation of film, artists are now able to appropriate films to create
different and innovative approaches to collage. The exhibition features a wide
range of media, from projections and monitor-based work through to digital
prints, artist’s books, painting and even a microfiche viewer. <o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 12.0pt; line-height: 115%;">The artists bridge the analogue and the
digital. <b style="mso-bidi-font-weight: normal;">Rosa Barba</b> exhibits every
issue of <i style="mso-bidi-font-style: normal;">Printed Cinema</i>. These
artist’s books have been published alongside her film projects and include film
stills, text and photographs. <b style="mso-bidi-font-weight: normal;">Andrew
Bracey</b> is interested in the power of the still image in film. <i style="mso-bidi-font-style: normal;">Ensemble Cast</i> is a new animation that
features a cast of 1500 film stars reduced to one restlessly moving head. <b style="mso-bidi-font-weight: normal;">Dave Griffiths’ </b>recent work dwells on
the physical and fictive borders of cinema, often employing the projectionist’s
cue dot to activate the narrative potential of marginal images. <b style="mso-bidi-font-weight: normal;">Cathy Lomax</b> keeps an on-going visual
diary of all the films that she has watched, selecting one image from each to
make into a small, rapidly executed painting. <b style="mso-bidi-font-weight: normal;">Elizabeth McAlpine</b> compiles the missed footage from Nicolas Roeg's
cult thriller <i style="mso-bidi-font-style: normal;">Don't Look Now</i> that a
viewer did not see, due to them blinking. <b style="mso-bidi-font-weight: normal;">David
Reed's</b> animation references John Ford's western <i style="mso-bidi-font-style: normal;">The Searchers.</i> It also recalls an earlier personal experience where
the artist accidently discovered a cave used in the Ford’s film. <b style="mso-bidi-font-weight: normal;">John Rimmer’s </b><i style="mso-bidi-font-style: normal;">Interference</i><b style="mso-bidi-font-weight: normal;"> </b>gathers
together personal and filmic references. Found footage of Philosopher and
theorist’s heads, scenes from <i style="mso-bidi-font-style: normal;">Annie Get
Your Gun, </i>commercials and other sourced material combine to form a mental
landscape.</span><span style="mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-51437816710047494442013-10-13T16:06:00.001+01:002013-10-13T16:06:38.178+01:00Nottingham Castle Open 2013<div class="separator" style="clear: both; text-align: center;">
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<a href="http://nottinghamcastleopen.com/" target="_blank">Nottingham Castle Open 2013 - Nottingham Castle</a> I am showing 2 Reconfigure Paintings in The Nottingham Castle Open this year. One is a small Gouache on a lithograph of Paul Delarouche's Execution of Lady Grey and the other is a blown up vinyl piece of Ingres' Grande Odalisque. My original painted version was a small acrylic paint on book illustration that has been increased in size and printed at the size of Ingres' original painting that hangs in the Louvre. The selectors were Holly Slingsby, Emily Speed and Roger Malbert. Other artists include Tether, Yelena Popova, Wayne Burrows, Simon Raven, Steven Ingman and Craig Fisher. </div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-27084733347505432782013-09-27T16:56:00.004+01:002013-09-28T20:54:40.264+01:00Misdirect Movies<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: inherit;"><a href="http://misdirectmovies.co.uk/" target="_blank">Misdirect Movies - Greyfriars</a> Misdirect Movies is an exhibition I have curated with John Rimmer and the outing in Lincoln is the 3rd of 4 venues, where it is part of <a href="http://frequency.org.uk/index.php/portfolio-item/misdirect-movies/" target="_blank">Frequency Digital Arts festival</a>. I </span><span style="background-color: white; line-height: 21.59375px;">will be premiering a new commission at Greyfriars, Lincoln. <i>Ensemble Cast </i>is a looped one minute film created from 1500 movie stars morphed into one single pulsing head.</span></div>
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<span style="font-family: inherit;">Misdirect Movies is a touring exhibition that explores new possibilities of collage using material gleaned from cinema. The exhibition features seven national and international artists: Rosa Barba, Andrew Bracey, Dave Griffiths, Cathy Lomax, Elizabeth McAlpine, David Reed and John Rimmer. </span></div>
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<span style="font-family: inherit;">Misdirect Movies focuses on the impact of digital technologies in film and the visual arts and how the digital is forging revolutionary changes in making art and its presentations. Artists’ use of appropriation and the principles of collage have become a dominant force when working with cinema as a source material. The digital revolution has re-opened artist’s questioning of the materiality and non-material nature of the medium of collage.</span></div>
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<span style="font-family: inherit;">The show opens on Friday 4th October 6-8pm and runs until 26th October, it is open Thursday to Saturday prior to Frequency and open every day during the festival.</span></div>
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<span style="background-color: white; font-family: inherit;"><span style="font-size: 14px; letter-spacing: 1px; line-height: 20.09375px;">Address: The Greyfriars, Broadgate, Lincoln, LN2 1HQ</span> </span></div>
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<br />Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-7644708414147291862013-09-27T16:50:00.003+01:002013-09-27T16:50:52.105+01:00Tip of the Iceberg <div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small; font-weight: normal;"><span style="font-family: inherit;"><a href="http://www.contemporaryartsociety.co.uk/public-programme-at-central-street/projects-upper-level-/project-04-tip-of-the-iceberg-4-october-3-january-2014-" target="_blank">Tip of the Iceberg - Contemporary Art Society</a> I will be showing some of my <a href="http://www.andrewbracey.co.uk/page11.htm" target="_blank">Various Titles</a> in this exhibition alongside loads of really excellent artists from across the North in an exhibition curated by Mark Doyle and Rebecca Morril.</span></span></h2>
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<span style="font-size: small; font-weight: normal;"><span style="font-family: inherit;"><br /></span><span style="font-family: inherit;">The show bumf says : "I<span style="color: #212121; line-height: 19.59375px;">n 2009, the Contemporary Art Society launched a pioneering membership programme for individuals across the North of England, to bring the rich diversity of artistic talent residing in the region to the attention of new audiences and potential collectors. Over the last 4 years, Contemporary Art Society North has organised studio visits and exhibition tours with over 60 artists, many of whom came from elsewhere and made the North their home."</span></span><span style="font-family: inherit;"> </span><span style="font-family: inherit;"><em style="border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Tip of the Iceberg: Art from Up North</em> presents work by a selection of these artists, to inspire more people to venture to the North East, North West and Yorkshire. Includes work by <span style="margin: 0px; padding: 0px;">Iain Andrews, Eric Bainbridge, Catherine Bertola, Pavel Büchler, Rachael Clewlow, Graham Dolphin, Leo Fitzmaurice, Susie Green, Matthew Houlding, Nick Kennedy, Laura Lancaster, Paul Merrick, Anne Vibeke Mou, Michael Mulvihill, Emily Speed, Matt Stokes</span> and <span style="margin: 0px; padding: 0px;">Rafal Topolewski.</span></span><span style="margin: 0px; padding: 0px;"><span style="font-family: inherit;"><br /></span></span><span style="font-family: inherit;"><span style="margin: 0px; padding: 0px;">The exhibition is on </span>4 October — 3 January 2014</span></span><span class="locationTitle article" style="border: 0px; color: #424242; display: block; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-family: inherit; font-size: small; font-weight: normal;">Contemporary Art Society, </span><span style="font-family: inherit; font-size: small; font-weight: normal;">59 Central Street, London EC1V 3AF</span><span style="font-family: inherit; font-size: small; font-weight: normal;"> </span></span></h2>
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Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-32513421424663178152013-06-13T00:18:00.000+01:002013-06-13T00:18:01.295+01:00Reliquary<div class="separator" style="clear: both; text-align: center;">
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<em style="color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;">Reliquary</em><span style="background-color: white; color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;"> is a group show at Syson in Nottingham of 5 artists and is curated by Jennie Syson. The exhibition opens on Thursday 20th June and runs until 23rd August. I will be showing several </span><em style="color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;"><a href="http://www.andrewbracey.co.uk/page31.htm" target="_blank">Transitory Paintings</a>.</em><br style="color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;" /><span style="background-color: white; color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;"> </span><br style="color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;" /><span style="background-color: white; color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;">This exhibition is concerned with how contemporary artists approach objects as containers – as a reliquary contains objects of devotion – vessel like containers and even shelf like structures made by sculptors often evoke or suggest the same hint at the possibility of containing or presenting something desirable. As nineteenth century collectors’ cabinets of curiosity held special and totemic items: artists, curators and collectors still maintain a desire to contain and present beautiful objects within vessels. The picture frame itself, or the pages of a book could also be described as a container for object veneration.</span><br style="color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;" /><br style="color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;" /><span style="background-color: white; color: #505050; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;">To find out more please go </span><a data-cke-saved-href="http://sysongallery.com/exhibitions/reliquary/" href="http://sysongallery.com/exhibitions/reliquary/" style="color: #336699; font-family: Arial; font-size: 13.513513565063477px; line-height: 19.519519805908203px;" target="_self">here</a>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-80419621968989048462013-04-15T13:20:00.002+01:002013-04-15T13:20:38.397+01:00Mondegreen Ekphrasis <div class="separator" style="clear: both; text-align: center;">
<a href="http://24.media.tumblr.com/cd06281f5f2f0b6fcd3916081ec17a93/tumblr_mkbt7aHNdz1rhn9lzo1_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="319" src="http://24.media.tumblr.com/cd06281f5f2f0b6fcd3916081ec17a93/tumblr_mkbt7aHNdz1rhn9lzo1_1280.jpg" width="320" /></a></div>
<a href="http://ash-curatorial.tumblr.com/post/47717912543/mondegreen-ekphrasis-installation-no-1" target="_blank">Mondegreen Ekphrasis - The Collection</a> <span style="background-color: white; color: #333333; font-family: georgia, georgia, serif; font-size: 18px; line-height: 28px;">Just as a pebble thrown into a pond produces a series of ever-expanding rings, visual ripples of inspiration have emanated from great works throughout the history of art. Taking this precedent of emulation as a premise, MA Fine Art and MA Design students from The University of Lincoln are brought together by MA Contemporary Curatorial Practice student Ashleigh McDougall in a new exhibition at The Collection.</span><br />
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The concepts of collaborative practice and appropriation of images and ideas are explored in a changing installation that grow and evolve each week. This will expose the process of <em>ekphrasis</em>; the description of one work of art through the creation of another. With a new piece by lecturer Andrew Bracey as the starting point, the exhibition opens in The Collection’s Courtyard Gallery on 15 April and runs until 12 May, 2013.</div>
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<em>Mondegreen Ekphrasis</em> features the work of Shahira Allen, Andrew Bracey, Lewis Gaukrodger, Amir Ghazi-Noory, Diane E. Hall, Victoria Hall, Linda Hollaway, Laura Johnson, Chutatib Promgul, Gemma Rabionet, Jessica Rawlings, Duncan Rowland, Carlos Ruiz Brussain, and Miranda Jingyan Zhang, and is curated by Ashleigh McDougall. </div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-73217355444816908412013-03-07T22:42:00.003+00:002013-03-07T22:42:51.182+00:00Misdirect Movies<div class="separator" style="clear: both; text-align: center;">
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<a href="http://www.the-royal-standard.com/programme/misdirected-movies/" target="_blank">Misdirect Movies</a> is a touring exhibition that explores new possibilities of collage using material gleaned from cinema. It opens at The Royal Standard, Liverpool for a preview 6-9pm on Friday 15th march (16/3/2013 - 31/3/2013) and travels to Standpoint Gallery, London (5/7/2013 - 3/8/2013) Greyfriars, Lincoln (4/10/2013 - 26/10/2013) and Meter Room, Coventry (8/11/2013 - 1/12/2013). I have curated it with John Rimmer.<br /> <br />Orson Welles’ unfinished version of Don Quixote features a scene where Quixote slashes at a screen in a cinema. This scene acts as a lynchpin for the ideas contained within the curatorial strategy of this exhibition, expanding on the notion of Quixotic, intertexturality and the slippage of reality and illusion. The show features work by Rosa Barba, Andrew Bracey, Dave Griffiths, Cathy Lomax, Elizabeth McAlpine, David Reed and John Rimmer. The selected artists explore these ideas in diverse ways to work with narrative and new forms of materiality. With the access to digital formats, of the internet and the digitalisation of film, artists are now able to appropriate films to create different and innovative approaches to collage. This makes us look anew at, and re-address, the familiarity of moving image, media and the cinema space; a hybridised 'cinematic' experience. <br /><br />I have re-worked an existing film piece,The Six Monst Beautiful Minutes in the History of Cinema into a wall sized print for the exhibition. <br /><br />To find out more please go <a href="http://andrewbracey.us6.list-manage.com/track/click?u=3c93fe5505&id=e0a1b53312&e=b64615d85d">here</a> <br /><br />There will also be a catalogue launched at the London leg of the show, more details <a href="http://andrewbracey.us6.list-manage1.com/track/click?u=3c93fe5505&id=c2f693347b&e=b64615d85d">here</a>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-42220817930446771192013-03-07T22:40:00.003+00:002013-03-07T22:40:50.332+00:00Possession<div class="separator" style="clear: both; text-align: center;">
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I am delighted to be showing in <a href="http://en.bacc.or.th/event/Exhibition-Possession-.html">Possession (1) at BACC in Bangkok</a> alongside some fine artists, like Michael Day, Doug Fishbone and Susan Collins. The show is curated by Brian Curtin and Steve Dutton and "explores the potential for artists to work with questions of authorship and subjectivity, whilst engaging with the pervasive influence of internet culture and contemporary visual reproduction."<div>
For Possession (1) I will be showing a new Reconfigure Painting Paul Delaroche's The Execution of Lady Jane Grey which will be created by blowing up my original painting on a small print to a large wall print, which is the same size as the original painting. The same process will happen on two companion pieces, each of which is also based on a painting from London's National gallery.</div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-26603448540234951782012-11-24T17:59:00.000+00:002012-11-24T17:59:57.132+00:00Andrew Bracey, Jon Barraclough, Emma Stibbon and Julie McCalden<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.canalandriverexhibitions.co.uk/Image%20content/Gloucester/Andrew%20Bracey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="http://www.canalandriverexhibitions.co.uk/Image%20content/Gloucester/Andrew%20Bracey.jpg" width="320" /></a></div>
<span style="font-family: Times, Times New Roman, serif;">I will be showing 3 <i><a href="http://www.andrewbracey.co.uk/page33.htm" target="_blank">ReconFigure Paintings </a></i>that I produced during a <a href="http://www.a-n.co.uk:81/artists_talking/projects/single/958203/0/1/desc" target="_blank">residency at Standpoint Gallery</a> last year at a 4 person show in Gloucester shortly. The exhibition has been curated by <a href="http://www.francesdisley.com/" target="_blank">Frances Disley</a> and takes place in the South Wales and Severn Office of the Canal & River Trust which is situated within the historic Gloucester Docks. It is part of a series of exhibitions organised by Contemporary Art Society. The exhibition also features Jon Barraclough, Emma Stibbon and Julie McCalden. More information can be found <a href="http://www.canalandriverexhibitions.co.uk/LocationsInfo/Gloucester.html" target="_blank">here</a>.</span>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-65043541730663755342012-09-05T21:28:00.001+01:002012-09-05T21:28:09.361+01:00Art:Gwangju<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.andrewbracey.co.uk/USERIMAGES/ReconFigure%20%20(Arthur%20Williams%20Devis).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://www.andrewbracey.co.uk/USERIMAGES/ReconFigure%20%20(Arthur%20Williams%20Devis).jpg" width="213" /></a></div>
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<span style="font-family: inherit;">I will be showing <a href="http://www.andrewbracey.co.uk/page10.htm" target="_blank">Clout</a>, <a href="http://www.andrewbracey.co.uk/page33.htm" target="_blank">Reconfigure</a> and <a href="http://www.andrewbracey.co.uk/page31.htm" target="_blank">Transitory</a> Paintings with Castlefield Gallery at <a href="http://www.artgwangju.com/" target="_blank">art:gwangju</a> in South Korea. Other artists showing with Castlefield are</span><span style="font-family: inherit;"> </span><a href="http://www.hilaryjack.com/" style="border: 0px; font: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Hilary Jack</a>, <a href="http://uhc.org.uk/" style="border: 0px; font: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Ultimate Holding Company UHC</a><span style="font-family: inherit;">,</span><span style="font-family: inherit;"> </span><a href="http://www.leofitzmaurice.com/" style="border: 0px; font: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Leo Fitzmaurice</a><span style="font-family: inherit;"> and </span><a href="http://www.saatchi-gallery.co.uk/ns/profile/Rafal+Topolewski/2759" style="border: 0px; font: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Rafal Topolewski</a>.</div>
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<span style="font-family: inherit;">More details can be found <a href="http://www.castlefieldgallery.co.uk/news/castlefield-gallery-at-artgwangju12/" target="_blank">here</a> </span></div>
Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-75777800997963413332012-09-05T21:22:00.001+01:002012-09-05T21:22:58.139+01:00Still at Transition Gallery<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.andrewbracey.co.uk/USERIMAGES/Andrew%20Bracey%20Frames%203.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://www.andrewbracey.co.uk/USERIMAGES/Andrew%20Bracey%20Frames%203.JPG" width="320" /></a></div>
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<span style="font-family: inherit;">I will be showing <a href="http://www.andrewbracey.co.uk/page15.htm" target="_blank">Frames</a> in Still at Transition Gallery and Hackney Picture House, opening on Thursday 6th September until 30th September. The show features lots of other interesting artists and will be well worth a look for all film and art fans. </span><br />
<span style="font-family: inherit;">"<span style="background-color: white;">The moving magic of film lies in its frame-by-frame flickering approximation of life. The stilling of that movement re-directs the viewer’s gaze towards an entirely new reality. Context and meaning are rearranged and new beauties unearthed behind the seemingly banal. In halting, repeating or reconstructing, the image persists, becoming a thing in itself, which as film theorist Laura Mulvey notes ‘has its own visual pleasures and rewards that do not replace, but compliment those of watching a film’."</span></span><br />
<span style="font-family: inherit;"><span style="background-color: white;">I have also written about Unrealised Films in a special Film issue of </span><a href="http://www.transitiongallery.co.uk/garageland.htm" style="background-color: white; color: #6699cc; text-decoration: none;"><strong>Garageland</strong></a><span style="background-color: white;"> magazine.</span> </span><br />
<span style="font-family: inherit;">More details can be found <a href="http://www.transitiongallery.co.uk/htmlpages/Still/home.html" target="_blank">here</a> </span><br />
<br />Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-57520143081419461352012-06-05T20:27:00.001+01:002012-06-05T20:31:12.751+01:00Still Ticking: A Clockwork Orange 2012<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJuRNzMtKvH2K81HkgoOgR1CnewJxDAj369PSrPVEi51fa-NjG4IXbGyCzomtBgZ-_aZuUZ4vP1zb9nb_wJsbGyIzW6HoOzrN0q38BnpCv-ovtaupB4_a3ATOmWYuAS7V12Dyt1lEIwnV9/s640/Burgess.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJuRNzMtKvH2K81HkgoOgR1CnewJxDAj369PSrPVEi51fa-NjG4IXbGyCzomtBgZ-_aZuUZ4vP1zb9nb_wJsbGyIzW6HoOzrN0q38BnpCv-ovtaupB4_a3ATOmWYuAS7V12Dyt1lEIwnV9/s400/Burgess.jpg" width="282" /></a></div>
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<span class="Apple-style-span" style="border-collapse: collapse; line-height: 14px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.facebook.com/events/239751306137588/243146215798097/?ref=notif&notif_t=plan_mall_activity" target="_blank">Still Ticking - A Clockwork Orange 2012</a> is an exhibition of works by the Media LAB, Manchester School of Art & Invited Artists, presenting new work in response to Anthony Burgess’s A Clockwork Orange celebrating the 50th anniversary of the book. Including photography, painting, sculpture, film and sound. On the private view night (Thursday 7th June) there will be Horro</span><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">rshow White Russians courtesy of Korova Milk Bar, and after-party at the Temple of Convenience.</span></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 14px;"><br /></span></span><br />
<span class="Apple-style-span" style="border-collapse: collapse; line-height: 14px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">I have made a series of new paintings based on Burgess's own drawings. </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: separate; line-height: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">A Clockwork Orange appears to be the only text by Burgess where his distinctive drawings crept into the typed flow of words. As a painter I became intrigued by why imagery might have been present in this book's draft (and recently discovered screenplay), above the masses of other texts Burgess produced in his lifetime. Furthermore Burgess grafittied a copy of the David Pelham designed cover. It has been speculated that Burgess might have been trying to reclaim authorship back to his most (in)famous material, as it risked being subsumed by Kubrick's interpretation. Intriguingly a doodled version of Alex is closer in look to Burgess than Malcom McDowell. I have turned Burgess’s sketched drawings into paintings, colour has been added. Burgess was colour blind, the paintings would have looked different to him, just as Kubrick's film (with all it’s brash colour and imagery) differed in details and feel to Burgess's book.</span></span></span></span><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><span class="text_exposed_show" style="display: inline;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: black;"><br />Artists in the show are Grace Allardyce, Andrew Bracey, James Cook, Miklos Csepely-Knorr, Joe Duffy, Michael Fowdrey, Andrew Glynn, Dave Griffiths, Lisa Joel, Mohammed Koosha and Andrea Zapp.<br /><br />Exhibition continues Friday 8 to Sunday 10 June.<br /><br />Hosted by International Anthony Burgess Foundation, Engine House, Chorlton Mill, 3 Cambridge Street, M1 5BY</span></span></span></span></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 14px;">http://www.facebook.com/events/239751306137588/243146215798097/?ref=notif&notif_t=plan_mall_activity</span></span><br />
<br />Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-54295940976250253232012-05-06T20:13:00.002+01:002012-05-06T20:13:29.315+01:00Crocodiles With a Second Skin Thrash<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.davegriffiths.info/blog/wp-content/uploads/2012/05/crocodiles-with-a-second-skin-thrash-invite1-copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="http://www.davegriffiths.info/blog/wp-content/uploads/2012/05/crocodiles-with-a-second-skin-thrash-invite1-copy.jpg" width="400" /></a></div>
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<span style="font-size: small;"><a href="http://crocodileswithasecondskinthrash.wordpress.com/" target="_blank">Crocodiles With a Second Skin Thrash</a> is an exhibition curated by myself and <a href="http://www.katebuckley.net/" target="_blank">Kate Buckley</a> at <a href="http://www.overandoutlincoln.co.uk/" target="_blank">Over+Out in Lincoln</a>. It is an exhibition that explores the re-use of existing material within
an artist’s practice. This material is specific and highly loaded, being
either that of existing artworks by the artist or incorporating the
work of other artists into new artwork.
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<span style="font-size: small;">The exhibition is a sequel of sorts to <em><a href="http://www.blindpython.org.uk/installation-views/" target="_blank">A
Blind Python with Jewelled Eyes, <em></em></a></em>shown in the
Greestone Gallery, also in Lincoln, at the tail end of 2011. This
exhibition was also curated by Andrew Bracey and Kate Buckley and
included many of the same artists, it explored the idea of an artwork
containing two parallel elements within it, being both in one state and
another, almost like a parasite occupying a host. Both exhibitions take
their titles from imagery in J. G. Ballard’s The Crystal World,a
dystopic novel where an unidentified and beautiful disease spreads
through a rainforest turning everything into shimmering crystalline
forms, like a Midas touch. The artists in these two exhibitions all, in
some way, have the ability to transmute material and imagery from one
thing to another, performing a kind of artistic alchemy. </span><span style="color: black; font-size: small;"></span></div>
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<a href="http://crocodileswithasecondskinthrash.files.wordpress.com/2012/04/art-language.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://crocodileswithasecondskinthrash.files.wordpress.com/2012/04/art-language.jpg" width="300" /></a></div>
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<span style="color: black; font-size: small;">I will be showing for the first time an ongoing series of self portrait photographs in other artists artworks which feature a reflective or mirrored surface.</span></div>
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<span style="font-size: small;">Artists in the exhibition are <a href="http://crocodileswithasecondskinthrash.wordpress.com/2012/02/26/chrisbagnall/" style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" title="Chris Bagnall"><span class="Apple-style-span">Chris Bagnall, </span></a></span><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-size: small; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://nathanmakesfilms.blogspot.co.uk/">Nathan Baxter, </a></span><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-size: small; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.andrewbracey.co.uk/">Andrew Bracey, </a></span><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-size: small; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: inherit;"><a href="http://www.katebuckley.net/">Kate
Buckley, </a></span></span></span><span style="font-size: small;"><span class="Apple-style-span"></span></span><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-size: small; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: inherit;"><a href="http://www.joanacifrecerda.com/">Joana
Cifre Cerda</a></span></span> + Laura Dodgson, </span><span style="font-size: small;"><span class="Apple-style-span"></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.fionacurran.co.uk/">Fiona
Curran, </a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: inherit;"><a href="http://thomasjcuthbertson.blogspot.co.uk/">Thomas Cuthbertson, </a></span></span></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><a href="http://crocodileswithasecondskinthrash.wordpress.com/2012/04/11/cinema-elective/" style="border-width: 0px; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" title="Cinema Elective"><span class="Apple-style-span">Cinema Elective, </span></a></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.davegriffiths.info/blog/">Dave Griffiths, </a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.tobyhuddlestone.net/">Toby Huddlestone</a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.peterlamb.org/">, Peter
Lamb, </a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://rossoliver.blogspot.co.uk/">Ross Oliver, </a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.mattsgallery.org/artists/osbaldeston/exhibition-1.php">David
Osbaldeston</a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.aislinnritchie.com/">, Aislinn Ritchie, </a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><a href="http://www.axisweb.org/seCVPG.aspx?ARTISTID=12874">Alec Shepley, </a></span></span><span class="Apple-style-span" style="color: black; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: inherit;"><a href="http://www.emilyspeed.co.uk/">Emily Speed</a></span></span></span></span></div>
<span class="Apple-style-span" style="color: black; font-family: inherit; font-size: small;"><span class="Apple-style-span" style="border-width: 0px; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline-width: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: inherit;">http://crocodileswithasecondskinthrash.wordpress.com </span></span></span></span><span class="Apple-style-span"></span><br />Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-31491618541220467312012-04-11T20:11:00.000+01:002012-04-11T20:11:19.472+01:00Yojimbo in Postcards to Alphaville<div class="separator" style="clear: both; text-align: center;"><a href="http://www.postcardstoalphaville.net/img/authors/Yojimbo_Andrew_%20Bracey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://www.postcardstoalphaville.net/img/authors/Yojimbo_Andrew_%20Bracey.jpg" width="282" /></a></div><br />
I have created a 'postcard' to Kuwabatake Sanjuro (from Kurosawa's masterful Yojimbo) for <a href="http://www.postcardstoalphaville.net/index.php?lang=en&sort=author&id=76" target="_blank">Postcards to Alphaville</a>. This is an online (hopefully book) exhibition of artists and illustrators who make an original image to a character from their chosen film. Kurosawa is my favourite director of films and although I could have chosen any number of films, I think Mifune is iconic in this role. You can see my postcard and a host of others here <a href="http://www.postcardstoalphaville.net/" target="_blank">http://www.postcardstoalphaville.net/</a>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0tag:blogger.com,1999:blog-3537503616279062920.post-27711823532229982232012-04-11T16:50:00.001+01:002012-04-11T18:49:02.682+01:00Collectible at Zeitgeist Art Projects<div class="separator" style="clear: both; text-align: center;"><a href="http://www.andrewbracey.co.uk/USERIMAGES/Andrew%20Bracey,%20Morning%20Employment.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://www.andrewbracey.co.uk/USERIMAGES/Andrew%20Bracey,%20Morning%20Employment.jpg" width="238" /></a></div><br />
<span class="Apple-style-span" style="font-family: inherit;">I will be showing one of my </span><a href="http://www.andrewbracey.co.uk/page31.htm" target="_blank"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="color: black;">Transitory paintings </span></span></a><span class="Apple-style-span" style="font-family: inherit;">at the opening show, C</span><a href="http://www.zeitgeistartsprojects.com/exhibitions.html" target="_blank"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="color: black;">ollectible at Zeitgeist Art Projects</span></span></a><span class="Apple-style-span" style="font-family: inherit;">, amongst some very fine company. ZAP is a new space, right near Goldsmiths art college and is run and curated by the esteemable Rosalind Davis and Annabel Tilley, with a huge amount of discernment, energy and gusto. </span><span class="Apple-style-span" style="font-size: 16px; line-height: 16px;"><em><strong><span class="Apple-style-span" style="font-family: inherit;">Transitory Paintings</span></strong></em><span class="Apple-style-span" style="font-family: inherit;"> (2011) are full of interesting contradictions as pieces of work. Paintings, yet not made of paint; Representational, yet abstract; Involved with beauty, yet through destroying. They are made from cutting triangular shaped patterns into reproductions of portrait paintings, culled from auction catalogues. </span></span><br />
<span class="Apple-style-span" style="font-size: 16px; line-height: 16px;"><span class="Apple-style-span" style="font-family: inherit;"></span><span class="Apple-style-span" style="font-size: small; line-height: normal;"><span class="Apple-style-span" style="font-family: inherit;">The show features 66 artists, including Graham Crowley, Edwina Ashton, Annabel Dover, Freddie Robins, Emily Speed and Peter Jones, with everyone selling their work for under £500. So there is no excuses for not making a start or adding to your art collections! The private view is on Tuesday 17th April 6-8.30pm and continues until 28th April. More details are here http://www.zeitgeistartsprojects.com/exhibitions.html</span></span></span>Andrew Braceyhttp://www.blogger.com/profile/04098349586326885405noreply@blogger.com0